Lipstick Under My Burkha: A greater idea, lesser craft. Jagga Jasoos: Layers beneath the layers of glittering colours. Wonder Woman: Just an empty noise of power and capital! Alien: Covenant : Competent with few leaps and David! Begum Jaan: Something wicked this way comes again! Saheb Bibi Golaam: A narrative gimmick than a thriller. Khawto: A distant imagination, no-connect Bengali culture! Raman Raghav 2. Te3n: Kolkata remains as superfluous space…just a setting.
Cinemawala: Celluloid, digital, conflicts, contradictions…. Nil Battey Sannata: Less of stallion, more of mule! Arshinagar: Slaying Shakespeare and Schubert at one go! Babar Naam Gandhiji: Searching for father indeed…but why? Teenkahon: Same old three stories of Bengali Cinema.
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You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Home About. Talking about cinema Just another WordPress. Stay updated via RSS. The nostalgia or Naxalgia the film evokes is a yearning not so much for a hallowed past as for a future that was betrayed in the past. It is shot through with grief — for a lost generation, lost dreams, lost horizons of hope, squandered possibilities and the much-awaited turn that history did not take.
The impact the ending had on us — and on many of our friends who also grew up in left-liberal circles in Calcutta in the s and the s — has a lot to do with our shared inheritance of loss as members of the extended family of the Bengali Left, including left-leaning liberals as well as militant Maoists. For us, neither Indrajit nor Bose are fictional characters.
They are more like an uncle, an older sibling, a cousin or the child of a family friend we had known or heard about: firebrand idealists, perhaps misguided but amongst the brightest of their generation, who had ended up losing their lives or their ideals or their best years in jail as the Naxalite movement of the s died down to a smoulder.
The leftist dream of a better tomorrow however, remains elusive. Indrajit and his ilk were betrayed not just by trusted comrades or by political allies or by a state-machinery that resorted to savage violence and extra-judicial killings in the name of democracy. They were also betrayed by the fanaticism and blind faith of a left leadership who sent — and continues to send — their young into losing battles. While Leftists are quick — and right — to decry rightwing authoritarianism and orthodoxy, there is still a widespread tendency, at least among the Left in India, to shy away from denouncing leftwing coercion and dogma equally stridently.
This kind of hypocrisy or denial, coupled with a tendency to unthinkingly fall back on Marxist orthodoxy, has robbed the Left of the moral and intellectual high ground it had once claimed.
It is thus unable to mount any kind of effective resistance against the fascist forces of the right that are on the rampage not only in India but across the world, at a time when the need for the resurgence of a leftwing progressive front could not be more urgent. This makes the courage and sacrifice of Indrajit and others like him all the more poignant.
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